To This Day
Gordon Magnin
Untitled, 2013
What do Buddhist artist Agnes Martin, Hollywood inventor Hedy Lamarr, and French-Cuban author...
Rodney Mullen: Pop an ollie and innovate!
The last thing Rodney Mullen, the godfather of street skating, wanted were competitive victories. In...
This one-hour documentary takes viewers on a rollercoaster ride through the wonderful world of statistics to...
Metal objects of the past come to life in the depths of the sea in this beautiful stop motion film by PES.
The Reconstructionists: Celebrating Badass Women
What do Buddhist artist Agnes Martin, Hollywood inventor Hedy Lamarr, and French-Cuban author Anaïs Nin have in common? Their names may not conjure popular recognition, and yet, for Lisa Congdon and Maria Popova, these women represent a particular breed of cultural trailblazer: female, under-appreciated, badass. They are “Reconstructionists,” as the writer-illustrator duo call them — and for the next year, they’ll be celebrated on a blog of the same name. Every Monday for 12 months, The Reconstructionists will debut a hand-painted illustration and short essay highlighting a woman from fields such as art, science, and literature. The subject needn’t be famous, but she will, as Popova, the creator of Brain Pickings, puts it, “have changed the way we define ourselves as a culture.” We spoke with Popova, and illustrator Congdon, about the inspiration behind their project.
How’d you come up with the name ‘Reconstructionist’?
Maria Popova: It’s very challenging to celebrate women without pigeonholing the project into some stereotypical and alienating feminist corner, the most dangerous part of which is the preaching-to-the-choir quality that many such projects tend to have. So when it was time to come up with a title for the project, it couldn’t be something too literal or too obvious. After sifting through hundreds of letters, diaries, autobiographies, and other writing, I suddenly remembered something Anaïs Nin had written in a 1944 diary entry — about “woman’s role in the reconstruction of the world.” It was perfect. It was the only common denominator between those women – they aren’t all artists, or all writers, or all to be expected in the pages of a tenth-grade history book. They are simply all reconstructionists.
What can you do to enhance a museum experience?
David Shrigley’s Brain Activity exhibition is now at the YBCA. If you have seen any of his work you know that it might be overwhelming for a person not familiar with his art to suddenly walk in to a room FILLED with small Shrigley pieces, and the entire place looks like a 5 year old kid just doodled on every inch of the wall. It’s dark humor. It’s scary honest. It’s pop culture. It’s human perception. And it’s supposed to be funny. But many people just walk around like they have a big question mark over their heads, and don’t seem to get any of it. They walk away empty handed, and that’s not the point. So how can you enhance a museum experience like this one? And this without ruining the artist intention… I know the whole point might be to be confused, but let’s try to help people out here. Enough with the museum snobs.
So first of all, here are the problems:
- People are chocked that this is called “art”.
- The museum environment calls for seriousness and high-brow attitudes.
- His art is, like most art, only attention grabbing if you feel a personal connection to it.
- It’s easier to laugh when you are with someone, not next to someone.
- Humor is about releasing tension.
Solution:
With these observations in mind, we started thinking about the ways in which one could get someone to appreciate the simpleness behind the art and it’s message. And the only way one could do this is by trying it out themselves!
The result became a game, where you start with picking out one of the details in his art, for instance either the copy or the floppy disc in the image above, and copy/draw it on a post-it. You then pass it on to the person next to you at the museum, which in return gives you his post-it with his Shrigley piece. You then complete the post-it art by complementing the image with another of his pieces, and whoalla! You have now made your own Shrigley, that is personal to you!
We did this exercise and it was a lot of fun! I got the copy with “my entire life” on it, and completed it by adding the guy with the bucket on his head. That’s my entire life to me.
Why it works:
Post-its are a great medium because it both allows you to throw away a piece if you change your mind about a scribble, and because it reflects Shrigley’s simple playfulness. You could also easily post it on your wall/desc as a reminder. Shrigley’s art is much about a certain philosophy - one that you might want to remind yourself about.
By doing this exercise you interact with people - making it easier for you to laugh.
By choosing a piece of art you start by selecting a piece that speaks to you, and you make a connection with it. When you are given a piece, you reflect what it means to you, and actively make it your own. It could be more fun if you do it with a person you know, as you will then be able to guess what the person is referring to in his/her life etc.
Feel free to try this yourself if you visit the exhibit, and in that case let me know how it went!
I’m a big fan of irony and sarcasm, as long as it’s done with understanding and humbleness. However I realized that Americans (from my empirical observations) don’t use irony in the same way as Europeans do. Americans are much more straight forward than Europeans, and honest about their emotions in the moment. Sarcasm is often taken as an insult instead of a compliment. On the other hand, when someone in Europe uses sarcasm in a conversation with someone they don’t know too well, it’s often perceived as a sign of understanding - great, you get me.
Many of my friends have also pointed this out, and I often try to push the boundaries in conversation to see where the line goes. I also see this in advertising. If you compare European vs. American advertising, the stories in Europe tend to be a little more complicated because of a strong departure from literal meaning. It’s obviously difficult to give an example of this without being biased, but just as a conversation starter, look at the tone in this European ad and this American ad from Vitamin Water.
Further more, researchers have recently found what parts of the brain is active when a person understands irony, meaning that my point could be proven pretty soon!
The retail industry is now digging into our personal lives for any bits of information that can be useful to them - trying to give us better services. This past PSFK event in San Francisco highlighted that, and yesterday I again went into a conversation about this.
Many newer services like Modcloth, Glimpse and many more, aggregate your Facebook likes to generate custom catalogues and recommendations. The problem is that our Facebook likes are far from accurate portrays of our personal likes and personas. 78% of people who like brands, like fewer than 10. Even though it’s arguable (as in the post) that it could mean that the brand you like at least are authentic, I call that BS, since when we DO like them, it’s most often for the potential discounts we could get, or because we already own the product/service. The last exception is when we like a brand because we want to be a part of the community or movement, and we want to show this to the world, and take part in the conversations. This is the path more brands are moving towards (finally, and thank god), which is also well displayed in Scott Goodson’s book Uprising.
Back to the problem - how do we get people to more authentically share their tastes online? Well, I don’t know the answer to that question. maybe if we had a better idea of exactly what brands would post on our feeds, and access in our accounts, that we would then be more likely to like without harm. Maybe there should be a passive like button? Maybe there should be a service where we get paid for sharing our preferences? Mulu is pretty much there already (btw, check it out if you haven’t, brilliant idea). I was going to start working for a startup called Social Economix, that took the idea of giving the consumer the power to the next level. Here they ask you to share a lot of your data like age, socioeconomic status, environmental concerns etc., to give a brand a rating. The problem is that you don’t get much for it except that you can influence the brand (when many people sign up, which is THEN powerful), and that many brands might be opposed to the idea in the first place because they are scared of really bad reviews.
I don’t know what the solution to this all is, but I do believe that solving this problem will lead to both happier consumers and brands. I might take a while for cunsumers to both get even more used to sharing, and like Mr. Green of Personal said in this NYT article, “It’s not easy to make data sexy or fun. It’s not sharing photos with your friends on Facebook.”
Rodney Mullen: Pop an ollie and innovate! - The last thing Rodney Mullen, the godfather of street skating, wanted were competitive victories. In this exuberant talk he shares his love of the open skateboarding community and how the unique environments it plays in drive the creation of new tricks — fostering prolific ingenuity purely for passion’s sake.
I just watched this, and I have to say I think it gives you some nice perspective. Watching all these strong characters getting back into advertising now truly gives you the shivers. But realizing how far it has come, and that it’s potential is FINALLY GETTING ACKNOWLEDGED is what makes me the most happy. Still today, when I say that I’m in advertising, I get a look that disgusts people. I want this to change. Where is all the money? The corporations. Isn’t it time that we use all that money, time and effort to CONNECT people to do something that is good for the planet, the people and society? “Uprising” by Scott Goodson is waiting for me on the shelf. Movement marketing is a buzzword. And people are in control of more and more advertising. I love it. It’s a renaissance.
Humanizing the Web
This is a guy who’s got it - storytelling is the way we share. In this talk he demonstrates his journey to cowbird.com. I have always been a bit annoyed with the fact that a lot that is designed out there doesn’t seem to take into consideration how we would instinctually interact with our surroundings, and share Jonathan Harris view that there are a few people out there that get to have a huge impact on how we behave. I’m talking about the Facebook, Tumblr and Twitter UX designers.
So here is his attempt to make something that emulates the human experience a little more. Honestly, the interface is nothing special, and I think he could take this concept a lot further by breaking what already exists even more. Why not check in with a person that knows nothing about web design and ask about an opinion? I love sitting with my parent in front of the computer for this reason, they would always react to the things we learnt and take for granted. They would react to why the scroller bar is where it is, the windows being designed as windows of information etc.. But I strongly like that he created a platform for us to share stories in a different manner. It’s not a usual blog, it’s a network of stories that serendipitously stumble across each other through loose associations. Just like in real life. I highly recommend you request an invitation - I’m waiting for mine.
“Put yourselves into unusual situations. Put yourselves into unusual cultures where you don’t belong. Put yourselves among people that you don’t normally hang out with… Get out of your comfort zone, culturally..” - John Jay (Wieden + Kennedy) We kew this. But it’s nice to see it there sometimes.”
“Networks are everywhere. The brain is a network of nerve cells connected by axons, and cells themselves are networks of molecules connected by biochemical reactions. Societies, too, are networks of people linked by friendships, familial relationships and professional ties. On a larger scale, food webs and ecosystems can be represented as networks of species. And networks pervade technology: the Internet, power grids and transportation systems are but a few examples. Even the language we are using to convey these thoughts to you is a network, made up of words connected by syntactic relationships.”
“Have you seen the keep calm and carry on poster?” I ask about 20 people today. “Why do you think it became so popular?” is my next question. “It’s a universal truth”, “it calms our stressed society”, and my personal favorite “we are herd animals” are some responses I get. But most shockingly, nobody I asked knew where it came from. Am I the only one who finds it interesting that a public safety poster that was designed for a potential major crisis in 1939’s Britain is now suddenly everywhere? That there are only two originals left (one seen here: http://wartimeposters.co.uk/keepcalm) and that one of them was found by Stuart Manley, a bookstore keeper, and his wife when going through a box of hardbacks he bought at an auction. He just saw “A big piece of paper folded up at the bottom. I opened it out, and I thought, wow. That’s quite something. I showed it to Mary, and she agreed. So we framed it and put it up on the bookshop wall. And that’s where it all started.” This was in 2000. Now it’s a cultural phenomenon. Yes - the probability of any individual adopting it has increased with the proportion who have already done so.
So what do I think of this growing popularity? An exciting thought to me is that this rapid adaption and spread could have never happened in 1939 - and a poster like this would never be part of a governments communication strategy today. The fact that people like it so much makes me a bit worried. Obviously it fits well with our zeitgeist and got much attention when the financial crisis hit. It could also have something to do with the occupy movement and the fact that most of us are utterly confused and lack focus in our lives. We obviously crossed the line where the poster has become mainstream and we as a cultural mishmash might need something that gives us a sense of intellectual fellowship - whether that be eating cupcakes or getting excited and making things. So, what propaganda poster would you like to make money on next?
California High Speed Rail
500 million trips around California in one year is a lot - a lot of poisonous gases. There are only clear advantages of California building this High Speed Rail system, including 600 thousand new construction jobs, 450 permanent jobs and state oil dependence reduced by 12.7 million barrels/year. If that’s not enough, you will be able to hop on a train in downtown San Francisco and arrive in downtown LA 2 hours and 40 min later. Hope I’m still here by 2020.
Meatball landing system
Before technology was advanced enough to be able to calculate an aircrafts exact landing position, the meatball system was used.
“Ball (or “meatball”; also known as “the source”) — indicates the relative position of the aircraft with reference to glide slope. If the aircraft is high, the ball will be above the datum lights; if the aircraft is low, the ball will be similarly below the datums. The further the aircraft is from the glide slope, the further the ball will be above or below the datum lights. If the aircraft gets dangerously low, the ball appears red. If the aircraft gets too high, the ball appears to go off the top”. -Wiki
Also, the Nasa logo is called the meatball because of this.
Here is a personal take on what account planning means for us. The creative team gets lost in the woods because they don’t have a proper brief to follow - no sense of direction. They end up throwing a party while the account planner needs to go on his explorer journey to find the best idea on how to solve this problem. The compass eventually finds the right direction after a random set of events and some wise comments from Gareth Kay and Joshua Brandau.
Be prepared for a lot of metaphors. Enjoy.
HOW TV CONTENT WILL BE WATCHED
It’s funny, me and a friend had a conversation the other day about how TV content is going to be watched, and today I find this movie illustrating many of the point we brought up. First of all, the reason I say “TV content is being watched” and not “watching TV” is simply because the TV is transforming itself to nothing more than a bigger screen. The content is what is important, and only as long as the TV networks have a lot of power…
Secondly, shows and movies will be direct portals for advertising, as they illustrate in this movie. You will be able to buy that dress your favorite actor is wearing, or sofa you see in the living room just with one click.
The fact that your device knows what you are watching is already possible through apple TV - simply pick up a movie you started on the train and watch it on the big screen. However, to what extent your phone/tablet will be able to provide additional information, a platform for discussion and live interaction is fascinating. TV program app developers, start thinking about how you can provide a tool for leveraging the content already being shown in real-time.
Loading posts...